In its three hour-long programs, SEARCHING asks deep and timeless questions: Where do we humans fit in the grand scheme of things? Why do we yearn for permanence in an impermanent universe? Are we just atoms and molecules, or something more? How does consciousness arise from the material neurons in our brains? What aspects of our humanity will be preserved as we evolve beyond biology, from Homo Sapiens to Homo Techno, part human and part machine? What are the smallest things in nature, and the largest and farthest? 　　To explore these questions, MIT physicist and best-selling novelist, Alan Lightman (Einstein’s Dreams), engages in lively, revealing and sometimes even humorous dialog with Nobel Prize-winning scientists, philosophers, ethicists and faith leaders. We travel to the prehistoric caves of Font-de-Gaume in France, where drawings and symbols suggest that—as long ago as 40,000 years—our early human ancestors were also searching for meaning. In Florence, Italy, we examine Galileo’s original telescopes. He was the first to show that the heavens are made of the same stuff as Earth, that the universe is impermanent, and that all is made of ordinary material. We walk through the giant atom smasher at CERN on the Swiss-French border, where physicists are trying to find the smallest particles of nature, and visit the laboratory of Nobel laureate Jack Szostak, who is attempting to create a living cell from chemicals present on primitive earth. Lightman converses with an advanced android named Bina48 and talks to ethicist Ruth Faden about what moral obligations we might have to such a being in the future. He speaks with Nobelist Rai Weiss and MIT Dean of Science Nergis Mavalvala (a MacArthur Foundation “genius” fellow) about their experiences in building LIGO, the gravitational wave experiment. Lightman quizzes neuroscientist Robert Desimone about the possibility of understanding the brain well enough to predict whether two people will fall in love, asks the Dalai Lama about the nature of consciousness, and speaks with philosopher Rebecca Goldstein (also a MacArthur genius) about meaning and the spectacle of existence. 　　PART 1: THE STARS & THE OSPREY 　　PART 2: THE BIG & THE SMALL 　　PART 3: HOMO TECHNO

After disappearing from the underworld, the legendary yakuza known as the "Immortal Dragon" resurfaces — as a fiercely devoted stay-at-home husband.

As quintessentially homegrown as a game of cricket or a plate of fish-and-chips, Morris dancing is one of Englands most ancient roots traditions. And yet to your average man on the street, its seen as little more than a national joke. And a bad national joke at that. Something to ridicule. Something to be embarrassed about. A heartfelt docu-ballad in praise of birthplace, bloodline and rural brotherhood, WAY OF THE MORRIS follows Tim on a deeply personal journey from the barleyfields of his childhood to the killing fields of The Somme, as he traces the poignant link between the spirited folk revival of the mid-1970s and the true story of the young Adderbury Morris side so decimated by the carnage of the First World War.

Haesu, an ordinary man, dreams of hiring a hitman to murder his boss who has been bullying him severely for years.

Matthias Schüpbach’s Searching for the 5th Direction is a journey into the depths of the self that takes us across the blurred border of the outside world and through dark inner worlds. We float through virtually reconstructed spaces, and as we ascend through a landscape of autumn leaves we witness the first “glitches” in our reality, subtly pointing to the brittleness of our perception. The narrative oscillates between tangible reality and elusive revery.

Thanks to the family, lovers and friends who experienced him as a person, not a persona, Before the End: Searching for Jim Morrison will finally reveal the real James Douglas Morrison.

"The Third Way of Love" tells the sad love story of Lin Qi Zheng, who is from a rich family, and Zhou Yu who is a smart and beautiful lawyer.

An examination of the choreographed fight scenes and bizarre costuming.